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LED Lighting Solutions & Engineering

Lighting Solutions for
Stage, Film & TV.

We help stage and professional film/television lighting brands engineer their fixtures — from LED light-source consulting & design, to optics and heatsink solutions, to the matching driver. One partner across the full optical-to-electrical chain.

RGBLAC

RGBLAC 6-channel architecture — 1.4× wider gamut than RGBW, CRI > 95 & TLCI > 95 across 1800K–20000K.

FOUR SOLUTION CATEGORIES

From light source to driver — engineered as one

We don't just supply parts. For stage and film/TV lighting we consult, design and deliver the complete light engine your fixture needs.

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1 · LED Light-Source Design

Consulting and custom design of LED light sources for stage and film lighting — RGBLAC spectral COB, tunable-white and color engines tuned to your fixture and camera target.

Consult & design100W–2500WCRI>95
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2 · Optics Solutions

Secondary optical designs — TIR lenses, Fresnel and reflectors — shaped to your beam angle and uniformity target for spot, wash and profile fixtures.

TIR / FresnelBeam shapingUniformity
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3 · Heatsink Solutions

Extruded, pin-fin and vapor-chamber heatsinks plus active options — with thermal simulation and airflow validation for stable output and long life.

Heatsink designThermal simAirflow test

4 · Matching Driver Solutions

Flicker-free, dimmable driver solutions matched to the light source and optics — constant-current platforms with DMX/RDM and smooth low-end dimming for film.

Flicker-freeDMX/RDMDimmable
See the full solution stack →
INDUSTRIES WE SERVE

Built for professional lighting makers

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Stage & Concert Lighting

High-output wash, beam and profile fixtures with full color and tunable white.

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Film & Broadcast

SSI/TLCI-tuned panels and spotlights that match on ARRI, RED and Venice sensors.

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TV Studio & Virtual Production

Flicker-free, camera-safe sources for studios and LED volume / virtual sets.

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Themed & Architectural

Color-consistent engines for venues, exhibitions and façade lighting.

WHY RGBLAC

Traditional RGBW leaves color on the table

Film and broadcast demand colors that match on every camera sensor. RGBLAC adds Lime, Amber and Cyan to the Red/Green/Blue triplet — closing the metameric gap.

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Gamut 1.4× wider than RGBW

Expands controllable color space for saturated and pastel tones alike.

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TLCI > 95 · SSI > 90

Meets Netflix and EBU broadcast standards; spectral tuning per sensor (ARRI, RED, Venice).

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1800K–20000K CCT

One architecture covers candlelight warmth to daylight and beyond.

RGBLAC

R 620nm · G 525nm · B 455nm · L 565nm · A 595nm · C 498nm

Need a light engine for your next fixture?

Bring us your fixture concept — our engineering team consults on light source, optics, thermal and driver as one integrated solution for stage and film/TV lighting.

Request a Quote